The British Ceramics Biennial: Studio Ceramics and Modern Design(#148) 10/10/2019 6:00 PM BST CLOSED Auction Information Advanced Search ▼ Items per page 122448 Advanced Search Sort by DefaultTime LeftLot#Lot NameNewestHighest PriceLowest PriceBidsViews Filter By Categories British Ceramics Biennial Category match ANY of the aboveALL of the above Featured Exclude closed lots Price Auctioneer All auctioneersLiverpooltest Lot Number Results: Viewing items 1-48 of 77. View Lot 1 GORDON FORSYTH (1879-1952); a white earthenware charger, copper lustre fleur de lis decoration on honey glaze, painted mark and Royal Winton Grimwades stamp, diameter 36cm. (D) Forsyth is renowned for his sumptuous lustre work at Pilkingtons Royal Lancastrian Pottery. The work is characterised by its medieval motifs, heraldic symbols, sailing ships and lions rampant and above all its rich colouring. It is therefore not surprising that similar designs and motifs appear on these later works ma Estimate£200 - £300Winning Bid£280StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£200 - £300Winning Bid£280StatusCLOSED Lot 2 GORDON FORSYTH (1879-1952); a white earthenware charger, copper lustre lion rampant decoration on cobalt underglaze, painted mark, diameter 36cm. (D) Estimate£150 - £250Winning Bid£130StatusCLOSED Condition ReportHairline across base, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£150 - £250Winning Bid£130StatusCLOSED Lot 3 GORDON FORSYTH (1879-1952); a white earthenware bowl, copper lustre lion rampant decoration on honey glaze, painted mark, diameter 32cm. (D) Estimate£200 - £300Winning Bid£240StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£200 - £300Winning Bid£240StatusCLOSED Lot 4 GORDON FORSYTH (1879-1952); a white earthenware bowl, copper lustre fleur de lis decoration on cobalt underglaze, painted mark, diameter 32cm. (D) Estimate£200 - £300Winning Bid£220StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£200 - £300Winning Bid£220StatusCLOSED Lot 5 GORDON FORSYTH (1879-1952); a white earthenware Athena vase, copper lustre interlace pattern and acanthus decoration on honey glaze, painted mark, height 26.5cm. (D) Estimate£150 - £250Winning Bid£210StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£150 - £250Winning Bid£210StatusCLOSED Lot 6 GORDON FORSYTH (1879-1952); a white earthenware jug, copper lustre oak leaf decoration on honey glaze, painted mark and Royal Winton Grimwades stamp, height 25.5cm. (D) Estimate£150 - £250Winning Bid£210StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£150 - £250Winning Bid£210StatusCLOSED Lot 7 GORDON BALDWIN (born 1932); Large White Vessel with Stopper (2003), earthenware covered in white pigment and black lines, incised GB mark and date, height 69cm. (D) Estimate£2,500 - £3,000Winning Bid£2,250StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£2,500 - £3,000Winning Bid£2,250StatusCLOSED Lot 8 GORDON BALDWIN (born 1932); Pierced Bowl III (2005), earthenware covered in white pigment, painted GB mark and date, diameter 49cm. (D) Estimate£2,500 - £3,000Winning Bid£2,100StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£2,500 - £3,000Winning Bid£2,100StatusCLOSED Lot 9 GORDON BALDWIN (born 1932); Water Vessel I (2010), earthenware covered in black pigment, incised GB mark and date, length 45cm. (D) Literature: Gordon Baldwin: Objects for a Landscape, edited by David Whiting (York Museums Trust, 2012), page 99. Exhibited: York Art Gallery, 2012 and subsequent UK tour, 2012-13. Estimate£2,200 - £2,800Winning Bid£1,800StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£2,200 - £2,800Winning Bid£1,800StatusCLOSED Lot 10 GORDON BALDWIN (born 1932); Unnamed Vessel with Stopper III (2003/04), earthenware covered in black pigment and white and grey lines, incised GB marks and dates, height 42.5cm. (D) Estimate£2,200 - £2,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£2,200 - £2,800StatusUnsold Lot 11 GORDON BALDWIN (born 1932); White Vessel Study IV (2010), earthenware covered in white pigment, incised GB mark and date, length 38cm. (D) Literature: Gordon Baldwin: Objects for a Landscape, edited by David Whiting (York Museums Trust, 2012), page 101. Exhibited: York Art Gallery, 2012 and subsequent UK tour, 2012-13. Estimate£1,800 - £2,200StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£1,800 - £2,200StatusUnsold Lot 12 GORDON BALDWIN (born 1932); White Pomona with Staggered Line (2013), earthenware covered in white pigment and red line, incised GB mark and date, height 58.5cm. (D) Estimate£2,000 - £2,500StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£2,000 - £2,500StatusUnsold Lot 13 GORDON BALDWIN (born 1932); Buds are Bursting (2012), earthenware covered in black pigment, incised GB mark and date, height 53cm. (D) Estimate£2,200 - £2,800Winning Bid£1,800StatusCLOSED Condition ReportThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£2,200 - £2,800Winning Bid£1,800StatusCLOSED Lot 14 GORDON BALDWIN (born 1932); Cloud Form (Nimbus Series) (2002), (D) earthenware covered in black pigment, incised GB mark and date, height 42.5cm. Estimate£2,500 - £3,000StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£2,500 - £3,000StatusUnsold Lot 15 GORDON BALDWIN (born 1932); Imagining Vessel (2002), charcoal on paper, signed and dated, 84 x 59cm, framed and glazed. (D) Estimate£200 - £300Winning Bid£420StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£200 - £300Winning Bid£420StatusCLOSED Lot 16 GORDON BALDWIN (born 1932); Cloud: Imagining Vessel 1 (2002), charcoal on paper, signed and dated, 77 x 56cm, framed and glazed. (D) Estimate£200 - £300Winning Bid£360StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£200 - £300Winning Bid£360StatusCLOSED Lot 17 GORDON BALDWIN (born 1932); Little Black Marks. White Sounds Perhaps, charcoal on paper, unsigned, 64 x 52cm, framed and glazed. (D) Estimate£200 - £300Winning Bid£180StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£200 - £300Winning Bid£180StatusCLOSED Lot 18 ROBIN WELCH (born 1936); White Painting with Pot and Box (1990); Painting, mixed media on canvas, signed and titled label verso and signed and dated Robin Welch 90 verso, 168 x 183cm, framed; Pot, stoneware, incised decoration on white and buff ground, height 104cm; Box, painted plywood, height 46cm. Estimate£6,000 - £8,000StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£6,000 - £8,000StatusUnsold Lot 19 BRUCE McLEAN (born 1944); Untitled (2015), a large earthenware plate with brush and splash decoration on dark blue ground, signed, dated and numbered 40/100, gallery label, diameter 39cm. For the BCB (2015) McLean turned his attention and energy to ceramics and returned to working with clay with the project Set in Stoke. Here he responded to the experience of being in the city, the working spaces and materials that he was presented with and the idea of food, its consumption, and of villains and Estimate£500 - £700Winning Bid£500StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700Winning Bid£500StatusCLOSED Lot 20 BRUCE McLEAN (born 1944); Untitled (2015), a large earthenware plate with brush and trailed decoration on dark green ground, signed and dated, gallery label, diameter 39cm. Estimate£500 - £700StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700StatusUnsold Lot 21 BRUCE McLEAN (born 1944); Untitled (2015), a large earthenware plate with brush and incised decoration on yellow ground, signed and numbered 89/100, gallery label, diameter 40cm. Estimate£500 - £700StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700StatusUnsold Lot 22 BRUCE McLEAN (born 1944); Untitled (2015), a large earthenware plate with brush and incised decoration on pale green ground, signed, dated and numbered 75/100, gallery label, diameter 40cm. Estimate£500 - £700Winning Bid£480StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700Winning Bid£480StatusCLOSED Lot 23 BRUCE McLEAN (born 1944); Untitled (2015), a large earthenware plate with brush and incised decoration on pale blue ground, signed, dated and numbered 62/100, gallery label, diameter 40cm. Estimate£500 - £700StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700StatusUnsold Lot 24 BRUCE McLEAN (born 1944); Untitled (2015), a large earthenware plate with brush and incised decoration on white and terracotta ground, signed, dated and numbered 23/100, gallery label, diameter 38.5cm. Estimate£500 - £700Winning Bid£480StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700Winning Bid£480StatusCLOSED Lot 25 CHRISTIE BROWN (born 1946); Red and White Portrait (2015), earthenware and stoneware, height 38cm. Browns sculpture explores the relationship between historical artefacts and contemporary art, and the significance of archaic artefacts in museum collections. Archaeology presents a fragmented narrative of past lives and holds parallels with the practice of psychoanalysis where layers are carefully stripped away to reveal hidden information. Her work references these traces, as well as the mytho Estimate£1,200 - £1,500StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,200 - £1,500StatusUnsold Lot 26 PETER HAYES (born 1946); Raku Disc (2019), fractured smoky surface and orange wave mounted on steel frame on slate base, incised signature, height 68cm. Estimate£1,000 - £1,500Winning Bid£960StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,000 - £1,500Winning Bid£960StatusCLOSED Lot 27 PETER HAYES (born 1946); White Totem (2019), raku with fractured surface and copper patina disc mounted on slate base, incised signature, height 84cm. Estimate£1,000 - £1,500Winning Bid£960StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,000 - £1,500Winning Bid£960StatusCLOSED Lot 28 PETER HAYES (born 1946); Black Bottle (2019), raku with incised decoration mounted on slate base, incised signature, height 49cm. Estimate£1,000 - £1,500StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,000 - £1,500StatusUnsold Lot 29 PAUL SCOTT (born 1953); a stoneware plaque decorated with a tree, cobalt and gold on off white ground, height 30.5cm. (D) Part of Scott's Cumbrian Blue(s) series. Provenance: The Julia Harrison collection. Estimate£100 - £200Winning Bid£600StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£100 - £200Winning Bid£600StatusCLOSED Lot 30 STEPHEN DIXON (born 1957); Josiah Spodes Violin? (2013), transfer printed bone china, length 61.5cm. Spodes Violin was the fictional outcome of the project Excavate, which took the form of a performative archaeological dig on the site of the Spode factory in Stoke-on-Trent over the six weeks of the BCB in 2013. Working with a multi-disciplinary team of student volunteers from Manchester School of Art, Excavate combined factual archaeology with fictional findings. The project culminated in t Estimate£3,500 - £5,000StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£3,500 - £5,000StatusUnsold Lot 31 STEPHEN DIXON (born 1957); Janus Head (2010), earthenware with transparent glaze decorated with a variety of ceramic prints, height 48cm. The Janus head was one of the first outcomes of a six-month residency at the Victoria & Albert Museum (2009-10). Inspired by the rich collections of decorative ceramics at the V&A, and particularly the extensive collections of ceramic shards, which are echoed in the fragmented form. The head stands as a metaphor of the museum itself, with one wise and aged fa Estimate£3,500 - £5,000StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£3,500 - £5,000StatusUnsold Lot 32 ASHRAF HANNA (born 1967); Undulating Yellow Vessel, stoneware with grey interior and triangular base, incised ASH mark, height 64cm. Hanna is concerned with exploring the vessel through form, texture and colour; the juxtaposition of formal and fluid curvaceous lines evocative of bodyscape is a current theme in his practice. Provenance: This piece was made at the International Ceramics Festival, Aberystwyth, 2019. It was one of two large pieces made to demonstrate Hanna's hand building method Estimate£2,500 - £3,500Winning Bid£2,400StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£2,500 - £3,500Winning Bid£2,400StatusCLOSED Lot 33 NEIL BROWNSWORD (born 1970); Waster I (2011), a stoneware wall hanging (with metal brackets), 45 x 45cm. Brownswords compositions reconfigure the ceramic manufacturing histories of his home town - Stoke-on-Trent, a ceramic capital that has undergone significant transitions in recent decades. Through a research process which involves the reconstitution of industrial archaeology and post-industrial remnants salvaged from ceramic production, Brownsword explores the impact of globalization on peop Estimate£2,000 - £3,000StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£2,000 - £3,000StatusUnsold Lot 34 NEIL BROWNSWORD (born 1970); Waster II (2011), a stoneware sculpture, length 26cm. Estimate£1,000 - £1,500StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,000 - £1,500StatusUnsold Lot 35 NEIL BROWNSWORD (born 1970); Relic (2011), a stoneware wall hanging, 32 x 29.5cm. Estimate£1,800 - £2,200StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,800 - £2,200StatusUnsold Lot 36 NEIL BROWNSWORD (born 1970); Pattern Book I (2017), mixed media, signed and dated, 33 x 22.5cm, unframed. During his residency at the Victoria & Albert Museum (2017-18), Brownsword turned his attention to historic repositories of knowledge such as factory pattern books associated with ceramic production in North Staffordshire. His response reconfigured early examples of Staffordshire Chinoiserie through a subversion of digital tools and painting, which he assembled into his own pattern book. Estimate£400 - £600StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£400 - £600StatusUnsold Lot 37 NEIL BROWNSWORD (born 1970); Pattern Book II (2017), mixed media, signed and dated, 27 x 34cm, unframed. Estimate£500 - £700StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700StatusUnsold Lot 38 BRENDAN HESMONDHALGH (born 1973); Bull I (2019), stoneware, height 54.5cm. Estimate£950 - £1,350StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£950 - £1,350StatusUnsold Lot 39 BRENDAN HESMONDHALGH (born 1973); Polar Bear (2019), stoneware, height 59cm. Estimate£900 - £1,300Winning Bid£820StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£900 - £1,300Winning Bid£820StatusCLOSED Lot 40 BRENDAN HESMONDHALGH (born 1973); Opulent Toad (2019), stoneware, height 28cm. Estimate£180 - £220Winning Bid£160StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£180 - £220Winning Bid£160StatusCLOSED Lot 41 ANDREA WALSH (born 1974); Tall Vessel with Gold (2009), fine bone china, hand polished, glazed, part acid etched, burnished gold (inside collar), height 30cm. Supported by BCB and Minton at WWRD. These pieces have been selected from a body of work made specifically during Walshs Artist Into Industry Residency as part of the inaugural BCB in 2009. Working with the Minton brand at Wedgwood in Barlaston, she was privileged to be able to delve into the vast historical archives and to learn from Estimate£1,000 - £1,500Winning Bid£880StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,000 - £1,500Winning Bid£880StatusCLOSED Lot 42 ANDREA WALSH (born 1974); Pair of Jars and Vessel with Waist (2009); Jars fine bone china, hand polished, glazed, clear and opaque white glass lids; Vessel fine bone china, hand polished, glazed, tallest height 19cm (3). Supported by BCB and Minton at WWRD. Estimate£1,250 - £1,750StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,250 - £1,750StatusUnsold Lot 43 SARA MOORHOUSE (born 1974); Eclipse, 25 conical stoneware bowls, each painted with semi-circular shapes onto the interior surfaces with underglaze colour, attached to a square board with strong magnets to allow for alternative compositions to be displayed, 70 x 70cm. From a stationary viewing position, the shapes within each, although identical, appear different due to the varying angle of vision for each bowl. As the viewer perambulates the artwork, the semi-circles appear wider, almost as ful Estimate£3,800 - £4,200StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£3,800 - £4,200StatusUnsold Lot 44 ADAM BUICK (born 1978); Untitled (2019), a stoneware moon jar covered in Waun Llodi slip and nuka glaze, height 39cm. Buicks work uses a single pure moon jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place. The unpredictable nature of each jar comes from the inclusions and their metamorphosis during firing. This individuality and tension Estimate£1,200 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,200 - £1,800StatusUnsold Lot 45 ADAM BUICK (born 1978); Untitled (2018), a stoneware moon jar with Porthmawr stone, height 42cm. Estimate£1,200 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,200 - £1,800StatusUnsold Lot 46 ADAM BUICK (born 1978); Untitled, a porcelain moon jar covered in a running white glaze, height 28cm. (D) Provenance: Purchased from The New Craftsman Gallery, St Ives. Estimate£300 - £500Winning Bid£220StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£300 - £500Winning Bid£220StatusCLOSED Lot 47 ADAM BUICK (born 1978); Deep Map of The Potteries (2019), a set of six stoneware and porcelain miniature moon jars on a brick base, tallest jar 10.5cm, ensemble length 63.5cm. Whilst studying Archaeology and Anthropology Buick was introduced to the concept of a Deep Map. This is a map that is more than a two dimensional representation of the physical features of a landscape. It is a map that explores every aspect of the human environment; emotional, creative, modern, historical, physical, spiri Estimate£600 - £800Winning Bid£540StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£600 - £800Winning Bid£540StatusCLOSED Lot 48 REBECCA APPLEBY (born 1979); A Fractured Harmony I, earthenware covered in black pigment with incised geometric decoration, height 48.5cm Estimate£1,800 - £2,200StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,800 - £2,200StatusUnsold Items per page 122448 Previous|12|Next Previous 12 Next Previous 12 Next
