The British Ceramics Biennial: Studio Ceramics and Modern Design(#148) 10/10/2019 6:00 PM BST CLOSED Auction Information Advanced Search ▼ Items per page 122448 Advanced Search Sort by DefaultTime LeftLot#Lot NameNewestHighest PriceLowest PriceBidsViews Filter By Categories British Ceramics Biennial Category match ANY of the aboveALL of the above Featured Exclude closed lots Price Auctioneer All auctioneersLiverpooltest Lot Number Results: Viewing items 49-77 of 77. View Lot 49 REBECCA APPLEBY (born 1979); A Fractured Harmony II, earthenware covered in black pigment with incised geometric decoration, height 43cm. Estimate£1,600 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,600 - £1,800StatusUnsold Lot 50 REBECCA APPLEBY (born 1979); Co-ordinate Plane III, earthenware with L shaped opening and perforated grid pattern covered in white pigment, ceramic chalk and pencil decoration, height 54cm. Estimate£1,600 - £1,800Winning Bid£1,400StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,600 - £1,800Winning Bid£1,400StatusCLOSED Lot 51 JESSICA HARRISON (born 1982); Happy Anniversary HN4606 (2015), bone china, height 20.5cm. Hand made in coloured bone china clay, the Bone China Figures (2015) series is based on existing mass-produced, slip cast bone china figurines made by companies including Royal Doulton and Coalport, a particularly English type of ceramic ware. From a distance the hand-made figures recall the silhouette of the popular domestic mantelpiece ornament, however in closer proximity become increasingly grotesque Estimate£1,400 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,400 - £1,800StatusUnsold Lot 52 JESSICA HARRISON (born 1982); Georgina HN4237 (2015), bone china, height 22cm. Estimate£1,400 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,400 - £1,800StatusUnsold Lot 53 JESSICA HARRISON (born 1982); ROYAL DOULTON FIGURINE ELAINE HN 3307 EXCELLENT CONDITION (2015), found ceramic and glaze, height 19cm. The Found Figurines (2015) and (2017) series are re-workings of mass-produced decorative figurines that have been sourced by the artist from the online auction site eBay. Harrison radically reshapes these objects through a process of re-glazing and re-firing, sometimes using up to 10 layers of glaze and 4 firings on a single object. Acting almost as test tiles f Estimate£1,400 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,400 - £1,800StatusUnsold Lot 54 JESSICA HARRISON (born 1982); COALPORT FIGURE A PASSION FOR DANCE BOLERO LIMITED EDITION (2017), found ceramic and glaze, height 23cm. Estimate£1,400 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,400 - £1,800StatusUnsold Lot 55 JESSICA HARRISON (born 1982); Royal Doulton Figurine "Lorraine" HN 4301 (2017), found ceramic and glaze, height 21.5cm. Estimate£1,400 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,400 - £1,800StatusUnsold Lot 56 JESSICA HARRISON (born 1982); Coalport Figurine - True Love - Limited Edition (2017), found ceramic and glaze, height 22.5cm. Estimate£1,400 - £1,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,400 - £1,800StatusUnsold Lot 57 JOHN RAINEY (born 1985); The Fall of a Connection (2014), Parian porcelain, length 39cm. Raineys work explores themes of technology, artifice and the human figure. Using a combination of physical and digital methods, including ceramic casting and 3D printing technologies, his sculptural process moves between the virtual and material worlds. Through this faceted approach to production, Raineys sculptures probe the development of human representation within digital environments, often referenc Estimate£1,500 - £2,000StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,500 - £2,000StatusUnsold Lot 58 JOHN RAINEY (born 1985); Flay II (2/3) (2019), Parian porcelain, height 47cm. Estimate£1,000 - £1,500StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,000 - £1,500StatusUnsold Lot 59 JOHN RAINEY (born 1985); Variants (Addendum) (2017), Parian porcelain, height 63cm. Estimate£2,200 - £2,800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£2,200 - £2,800StatusUnsold Lot 60 IRINA RAZUMOVSKAYA (born 1990); Archaeology Vessel (2018), porcelain, stoneware, glazes and oxides, height 15.5cm. Philosophical reflections on archaeology and ageing of ceramics, the inevitability of matter deterioration, the analytical observation of architectural structures as opposed to synthetic views of landscapes, and the antithesis between control/self-control and freedom of expression are the basis for Razumovskayas artistic research. A fascination for uncommon beauty, and for the une Estimate£600 - £800StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£600 - £800StatusUnsold Lot 61 IRINA RAZUMOVSKAYA (born 1990); Cube (2017), porcelain, stoneware, glazes and oxides, height 30.5cm. Provenance: Cluj International Ceramic Competition, Slovenia: First Prize Exceptional Talent Young Artist (2017). Estimate£1,000 - £1,500StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,000 - £1,500StatusUnsold Lot 62 IRINA RAZUMOVSKAYA (born 1990); Post-surface Vessel (2018), porcelain, stoneware, glazes and oxides, height 16.5cm. Provenance: Made during a bursary award residency at the Bruckner Foundation for Contemporary Ceramic Arts, Geneva. Exhibited: First Prize Carter Preston Prize, Bluecoat Display Centre, Liverpool (2018). Estimate£650 - £850StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£650 - £850StatusUnsold Lot 63 IRINA RAZUMOVSKAYA (born 1990); Pre-surface Vessel (2018), porcelain, stoneware, glazes and oxides, height 17cm. Provenance: Made during a bursary award residency at the Bruckner Foundation for Contemporary Ceramic Arts, Geneva. Exhibited: First Prize Carter Preston Prize, Bluecoat Display Centre, Liverpool (2018). Estimate£650 - £850StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£650 - £850StatusUnsold Lot 64 IRINA RAZUMOVSKAYA (born 1990); Soul House (2018), porcelain, stoneware, glazes and oxides, length 47cm. Exhibited: Inner Geometry, Officine Saffi Gallery, Milan (solo) (2018). Estimate£1,200 - £1,600StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,200 - £1,600StatusUnsold Lot 65 CAROLINE TATTERSALL; Keyhouse (2019), cast porcelain held together with transparent glaze mounted on wooden board, height 27cm. Tattersall's practice explores clay in its two opposing states: the plastic, tactile and uncommitted state of unfired clay and the hard, permanent, committed state of fired clay. She creates works that embody a sensitivity to material, the processes that effect it and the role of time. From engineering an erosion of material through a determined drip, to exploring an a Estimate£700 - £1,000StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£700 - £1,000StatusUnsold Lot 66 CAROLINE TATTERSALL; a stack of six saucers and six side plates, cast porcelain with distressed edges, maximum diameter 17cm. (D) Part of an installation entitled The Aftermath (2009). The aftermath, that which happens after an event, is often determined by the stillness of an environment. There is the permanent (the fired ceramic object) and there is the vulnerable (the unfired clay object). It is through the revealing and juxtaposition of these two states of the material that Tattersall creat Estimate£300 - £400StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk View details Estimate£300 - £400StatusUnsold Lot 67 HANNAH TOUNSEND; Set of 6 Print Beakers (2019), white earthenware with slip and underglaze decoration, height 10.5cm (6). Estimate£500 - £700Winning Bid£540StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700Winning Bid£540StatusCLOSED Lot 68 HANNAH TOUNSEND; Large Print Vessel (2019), white earthenware with slip and underglaze decoration, height 42.5cm. Estimate£800 - £1,200Winning Bid£700StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£800 - £1,200Winning Bid£700StatusCLOSED Lot 69 HANNAH TOUNSEND; The Harbour Walls, a canvas diptych, each constructed from a one-off digital print repeatedly overworked with thin washes of acrylic paint, charcoal and pastels, framed size of each canvas 87 x 66.5cm (2). Estimate£1,800 - £2,200StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,800 - £2,200StatusUnsold Lot 70 KEITH HARRISON; Knowledge is Power: 6 Towns (2017), watercolour and pencil on graph paper, 58 x 83cm, framed and glazed. This drawing was the last of the series developed as part of a BCB Commission Knowledge is Power: 6 Towns supported by Arts Council England and Stoke-on-Trent Libraries. As the final drawing to be completed, it was intended as the key to the work combining the Dewey Library classification system and the electrical resistance colour code to categorise the 6 Towns Collection. Estimate£800 - £1,200StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£800 - £1,200StatusUnsold Lot 71 MATT SMITH; Wunderkammer II 18, Large Egg (2017), white Parian porcelain, height 21cm (right hand side of image). These egg sculptures formed part of Smiths Wunderkammer II/Cabinet of Curiosities body of work. Exhibited: Cynthia Corbett Gallery, London. Estimate£700 - £1,000StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£700 - £1,000StatusUnsold Lot 72 MATT SMITH; Wunderkammer II 19, Small Egg (2017), white Parian porcelain, height 17cm (left hand side of image). Estimate£500 - £700StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£500 - £700StatusUnsold Lot 73 PETER JONES; Bucket of Bricks (Erosion), height 32cm. The site-specific installation Erosion was originally made of unfired hand made bricks that slowly eroded until they collapsed. The bricks have now been fired and reconfigured. Exhibited: Erosion was first shown at BCB (2013). Estimate£180 - £220Winning Bid£160StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£180 - £220Winning Bid£160StatusCLOSED Lot 74 PETER JONES; Test Tableau, 62 x 41cm. Estimate£280 - £320StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£280 - £320StatusUnsold Lot 75 SAM LUCAS; Tippy-Toe (2019), coloured porcelain, vulcan clay, high fired terracotta and textile, height 76cm. Tippy-toe explores the weight and awkwardness of being in the body and describes how displacement is not only geographical but can be within ones own skin, but with a dark twist in humour. The form is possibly whistling as it tip-toes off into the distance. It was the first piece made for a larger body of work for BCB AWARD (2019) called Same Same but Different. Estimate£450 - £650StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£450 - £650StatusUnsold Lot 76 ZOE PREECE; An Archive of Longings V (2018), 33 dripping spoons, made of cast porcelain and flux, on a walnut shelf, 105.5 x 21cm. Preeces current practice takes the domestic realm as the site of its enquiry. She makes intimate but nameless still lives that speak of the ordinary and the human. Through focused attention on everyday domestic objects and ordinary scenes, her work endeavours to engage with the intangible, disquieting and emotive aspects of life through material processes and form. Estimate£1,650 - £1,850StatusUnsold Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£1,650 - £1,850StatusUnsold Lot 77 ZOE PREECE; Longing I (2018), a mug, cup, dish and spoons, made of cast porcelain and flux, on a walnut base, 40 x 20cm. The Longing series is made up of collections of domestic forms a cup, dish, saucepan or spoon displayed in arrangements similar to those one might find on a kitchen surface. All evidence of the life and histories of these porcelain objects has been removed, leaving white silhouetted forms resonant with a longing to be touched. Whilst the arrangements are disordered and c Estimate£420 - £480Winning Bid£380StatusCLOSED Condition ReportAppears good with no obvious signs of faults, damage or restoration. View details Estimate£420 - £480Winning Bid£380StatusCLOSED Items per page 122448 Previous|12|Next Previous 12 Next Previous 12 Next
