Textiles & Vintage Clothing with Antiques & Collectors' Items (Liverpool)

Lot 394

AFTER LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a print 'Market Scene in Northern Town', published by Patrick Seale Prints Ltd 1973 for Salford Museum and Art Gallery, 45 x 60cm, framed and glazed, frame size 65 x 80cm.

Lot 395

PERCY LANCASTER (1878-1951); a signed etching, 'Durham Cathedral', with blind gallery stamp to margin, signed in pencil to margin 'Percy Lancaster', monogrammed to the etching 'PL', 38 x 25cm, framed and glazed.

Lot 396

EDWARD W SHARLAND (English, 1884-1967); four original etchings, 'The Cheese Shop, Mary-le-Port Street Bristol', 'High Street Bristol', 'The Basket Shop Mary-le-Port Street Bristol', and 'Wine Street Bristol', all signed in pencil to the margin, 34 x 21cm, all framed and glazed (4).

Lot 397

Five various engravings and mezzotints including two hand coloured studies of fruit, a Thomas Rolandson 'Dr Syntax' series engraving, engraving 'Apple Duconbe, Isle of White', by G Brannon, and a mezzotint after Raphael, 'Virgin and Child' (5).

Lot 398

ELLIOTT ERWITT (born 1928); a signed print, untitled, but possibly 'Felix, Gladys and Rover 1974', depicting the front legs of a tall dog, a pair of lady's boots and a small dog wearing a woolly hat and scarf, signed in blue pen lower right, 'New York City 1974' printed lower left, in glazed black frame, frame size 27 x 32cm, still sealed within cellophane packaging. Provenance: This was given as a prize to the vendor for being the top salesperson in the 1970s.

Lot 399

CECIL ALDIN; a chromolithograph depicting a seated puppy with tongue out and outspread legs, the background painted as the interior of a dog kennel, to match the kennel-shaped wooden frame, 51 x 43cm.

Lot 400

AFTER TOM DODSON; a limited edition colour print 'The Old Town Hall', depicting a Town Hall at the end of a cobbled street, with blind gallery stamp and 'Printed by Studio Arts', no.238/850, 36 x 42cm, framed and glazed, frame size 56.5 x 61cm.

Lot 401

AFTER MARGARET CLARKSON; two pencil signed limited edition storyboard montage pictures, the first depicting bath time, with five coloured panels, all numbered 174/500, with pencil signature, the start of the storyboard with 'Two Minutes', 'Come Here', 'Careful Now', 'Hold Still' and 'Night Night', each storyboard panel 14.5 x 9cm, framed and glazed, frame size 30.5 x 71cm, the second picture a colour central panel flanked by two other panels, the storyboard depicting a chimney sweep, numbered 35

Lot 402

AFTER MARGARET CLARKSON; a pencil signed limited edition colour print, 'Chicken Feed', depicting a woman and children feeding chickens at the rear of a house, a cut-out panel at the front of the mount also shows a Margaret Clarkson badge in the form of the backs of two children, no.73/100, 30 x 45cm, framed and glazed, frame size 50 x 65cm.

Lot 403

AFTER MARGARET CLARKSON; a group of three pencil signed limited edition colour prints comprising 'Hot Gossip', no.368/500, 40 x 18cm, 'Every Little Helps', no.195/500, 16 x 14cm and 'Co-op Day', no.242/500, 35 x 24cm, each framed and glazed (3).

Lot 404

AFTER GEOFF BUTTERWORTH; four limited edition signed and numbered prints, to include 'Washing Line Across Street', artist's proof, 12 x 32cm, 'Rag and Bone Man', no.107/500, 12 x 32cm, Woman with Grandchild Walking Up Street', no.431/500 32 x 12cm and 'The Repair Shop', no.238/500, 12 x 8cm, the larger examples in matching gilt frames, the smaller example in a modern gilt frame with pale blue border (4).

Lot 405

FORXIM (late 19th/early 20th century); study of figures in a cafe with a gentleman reading the paper and various other figures, signed, 16 x 12cm, framed and glazed.

Lot 406

AFTER SAMUEL SHELLEY; a pair of coloured mezzotints 'Love Wounded' and 'Love Healed', engraver Robert Cooper, published 1796, 28 x 20cm, framed and glazed (2).

Lot 407

AFTER BENJAMIN WEST; an engraving by William Woollett, 18th century, 'The Battle at La Hogue', 46 x 59cm, framed and glazed, together with another 18th century engraving titled 'A Representation of the Obstinate Engaement Between the British Squadron Under the Command of Vice Admiral Parker and the Dutch Squadron Commanded by Rear Admiral Loutman, on the Dogger Bank 5th of August 1781', 32 x 40cm, framed and glazed (2).

Lot 408

AFTER C E BROCK; a pair of coloured prints depicting domestic parlour scenes, 34.5 x 52cm, in Edwardian oak frames and glazed, together with a needlework fire screen within an oak frame, 68 x 45cm (lacking base) (3).

Lot 409

A quantity of prints and drawings to include a pencil study of figures in a courtyard, a coloured engraving from Hodgson's New Theatrical Portraits no.38 'Mr Kirby as Alfred in the Beauty and the Beast', a silhouette of horse and trap, monoprint after Eric Fitch Daglish, 'Study of a Songbird', hand coloured stippled engraving, 'Sar Mademoiselle' and other modern prints.

Lot 410

A group of various prints, watercolours and artworks to include an oil on board of a quaint harbour scene, indistinctly signed, 35 x 45cm, unframed, Pawley; watercolour 'North Quay (Padstow)', signed and dated '62, 22 x 29cm, framed and glazed, N. Filbec; oil on board, Dutch canal scene, 15 x 20cm, framed two Oriental embroidered silks with scenes of prunus, pagodas, peonies and wildlife and an Edwardian crystoleum of courting couple in period costume, 19 x 26cm, framed (13).

Lot 410A

AFTER JOHN TENANT; a signed limited edition print, 'Mallard and Yellow Flags', signed and dated 1972, no.53/65, 32 x 48cm, framed and glazed, and two further decorative Oriental inspired works, largest 60 x 120cm, framed.

Lot 411

Five motoring related posters to include two 'Petroleum High Inflammable No Smoking Switch Off Engine' posters, a 'Castrol GTX Motor Oil' example, 'Ask for Shell Motor Oil' and a 'Castrol with Liquid Tungsten - Another First' poster with an image of racing car, chequered flag and crowds in the stand, all 74 x 48.5cm (5).

AFTER LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a print 'Market Scene in Northern Town', published by Patrick Seale Prints Ltd 1973 for Salford Museum and Art Gallery, 45 x 60cm, framed and glazed, frame size 65 x 80cm.

PERCY LANCASTER (1878-1951); a signed etching, 'Durham Cathedral', with blind gallery stamp to margin, signed in pencil to margin 'Percy Lancaster', monogrammed to the etching 'PL', 38 x 25cm, framed and glazed.

EDWARD W SHARLAND (English, 1884-1967); four original etchings, 'The Cheese Shop, Mary-le-Port Street Bristol', 'High Street Bristol', 'The Basket Shop Mary-le-Port Street Bristol', and 'Wine Street Bristol', all signed in pencil to the margin, 34 x 21cm, all framed and glazed (4).

Five various engravings and mezzotints including two hand coloured studies of fruit, a Thomas Rolandson 'Dr Syntax' series engraving, engraving 'Apple Duconbe, Isle of White', by G Brannon, and a mezzotint after Raphael, 'Virgin and Child' (5).

CECIL ALDIN; a chromolithograph depicting a seated puppy with tongue out and outspread legs, the background painted as the interior of a dog kennel, to match the kennel-shaped wooden frame, 51 x 43cm.

AFTER TOM DODSON; a limited edition colour print 'The Old Town Hall', depicting a Town Hall at the end of a cobbled street, with blind gallery stamp and 'Printed by Studio Arts', no.238/850, 36 x 42cm, framed and glazed, frame size 56.5 x 61cm.

AFTER MARGARET CLARKSON; a group of three pencil signed limited edition colour prints comprising 'Hot Gossip', no.368/500, 40 x 18cm, 'Every Little Helps', no.195/500, 16 x 14cm and 'Co-op Day', no.242/500, 35 x 24cm, each framed and glazed (3).

FORXIM (late 19th/early 20th century); study of figures in a cafe with a gentleman reading the paper and various other figures, signed, 16 x 12cm, framed and glazed.

AFTER SAMUEL SHELLEY; a pair of coloured mezzotints 'Love Wounded' and 'Love Healed', engraver Robert Cooper, published 1796, 28 x 20cm, framed and glazed (2).

AFTER C E BROCK; a pair of coloured prints depicting domestic parlour scenes, 34.5 x 52cm, in Edwardian oak frames and glazed, together with a needlework fire screen within an oak frame, 68 x 45cm (lacking base) (3).

AFTER JOHN TENANT; a signed limited edition print, 'Mallard and Yellow Flags', signed and dated 1972, no.53/65, 32 x 48cm, framed and glazed, and two further decorative Oriental inspired works, largest 60 x 120cm, framed.