Studio Ceramics from the Paul Rice Collection July 30, 2021 Advanced Search ▼ Items per page 122448 Advanced Search Sort by DefaultTime LeftLot#Lot NameNewestHighest PriceLowest PriceBidsViews Filter By Categories Studio Ceramics Category match ANY of the aboveALL of the above Featured Exclude closed lots Price Auctioneer All auctioneersLiverpooltest Lot Number Results: Viewing items 1-48 of 424. View Image Lot # Item Title Time Left Your Bids 1 BERNARD MOORE (1850-1935); a stoneware vase covered in running flambé glaze, incised BM mark, made circa 1910, height 19cm. Auction has ended! Condition ReportSome scratches and light crazing, otherwise appears good with no further signs of faults, damage or restorations. Estimate£250 - £350Winning Bid£240StatusCLOSED View details 2 Ruskin Pottery; a high fired stoneware vase covered in mottled sang de boeuf glaze, impressed pottery mark and dated 1925, height 22.5cm. Auction has ended! Condition ReportLight scratches, otherwise appears good with no further signs of faults, damage or restorations. Estimate£500 - £700Winning Bid£700StatusCLOSED View details 3 REGINALD FAIRFAX WELLS (1877-1951); a small stoneware vase covered in red and mottled blue glaze, impressed RFW mark, made circa 1920, height 8cm. (D) Auction has ended! Condition ReportA couple of glaze bursts to shoulder and glaze nick near base, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£200 - £300Winning Bid£290StatusCLOSED View details 4 REGINALD FAIRFAX WELLS (1877-1951) for Coldrum Pottery; a large stoneware vase covered in streaky turquoise and blue glaze, impressed pottery marks, made circa 1912, height 32cm. (D) Auction has ended! Condition ReportFiring flaws including blistering to two sides and a short tight firing crack to inside rim, glaze chips to base where glaze has run, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£250 - £350Winning Bid£270StatusCLOSED View details 5 REGINALD FAIRFAX WELLS (1877-1951); a stoneware vase covered in streaky dark blue glaze, incised SOON mark, made circa 1920, height 22cm.(D) Auction has ended! Condition ReportMinor glaze bursts to body, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£400 - £600Winning Bid£440StatusCLOSED View details 6 SYBIL FINNEMORE for Yellowsands Pottery; a stoneware footed dish with incised and painted leaf decoration, incised signature and pottery mark, made circa 1930, diameter 24cm. (D) PR Having studied at the Central School of Arts and Crafts during the mid 1920s, Finnemore ran the Yellowsands Pottery in Bembridge, Isle of Wight, with her husband T R Parsons. Her work is very rare and she was one of the very first women to start a studio pottery. Auction has ended! Condition ReportChip to footring, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£200 - £300Winning Bid£160StatusCLOSED View details 7 SYBIL FINNEMORE for Yellowsands Pottery; a small stoneware dish with painted floral decoration, painted and incised marks, made circa 1930, diameter 11cm. (D) Auction has ended! Condition ReportSmall area of blistering to well, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£60 - £80Winning Bid£40StatusCLOSED View details 8 CHARLES VYSE (1882-1971); a stoneware footed dish with floral decoration, incised signature and dated 1938, diameter 19cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£250 - £300Winning Bid£880StatusCLOSED View details 9 CHARLES VYSE (1882-1971); a small stoneware footed bowl with floral decoration, incised signature and dated 1939, diameter 12cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£200 - £250Winning Bid£210StatusCLOSED View details 10 CHARLES VYSE (1882-1971); a cut sided stoneware bottle with floral decoration, incised signature and dated 1928, height 23cm. (D) Literature: Illustrated in Paul Rice, British Studio Ceramics (Crowood Press, 2002), p. 54. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£500 - £700Winning Bid£460StatusCLOSED View details 11 CHARLES VYSE (1882-1971); a stoneware vase with floral decoration on tenmoku ground, incised CV mark and dated 1930, height 17cm. (D) Provenance: Jeremy Hill collection. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£450 - £550Winning Bid£420StatusCLOSED View details 12 CHARLES VYSE (1882-1971); an oval stoneware footed bowl with scalloped rim covered in cigar ash glaze, incised signature, made circa 1950, diameter 14.5cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£150 - £200Winning Bid£130StatusCLOSED View details 13 CHARLES VYSE (1882-1971); a tall stoneware bottle covered in tenmoku glaze with copper pours, incised CV mark and dated 1933, height 34.5cm. (D) Auction has ended! Condition ReportSmall glaze burst to one side, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£1,000 - £1,500Winning Bid£840StatusCLOSED View details 14 CHARLES VYSE (1882-1971); a stoneware vase covered in mottled green and tenmoku glaze, painted and incised signature, probably made late 1930s, height 12.5cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£300 - £400Winning Bid£400StatusCLOSED View details 15 Attributed to ROGER FRY (1866-1934) for Omega Workshops; a shallow tin glazed buff bodied earthenware dish with painted indigo decoration on cream ground, diameter 17.5cm. Provenance: William Staite Murray collection. PR The dish is unmarked so I have shown it to a number of specialists on this period. It remains a mystery with a strong suspicion it came from Omega Workshops. I bought it with a group of pieces which had been owned by William Staite Murray. Auction has ended! Condition ReportChip to footring and glaze chips to rim, otherwise appears good with no further signs of faults, damage or restorations. Estimate£60 - £80Winning Bid£100StatusCLOSED View details 16 WILLIAM STAITE MURRAY (1881-1962); an early stoneware vase with iron decoration on oatmeal ground, incised WSM mark, made early 1920s, height 13cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportStable hairline extending from rim over shoulder and into body, kiln kiss to one side, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£400 - £500Winning Bid£340StatusCLOSED View details 17 WILLIAM STAITE MURRAY (1881-1962); a tall stoneware bottle covered in iron rich glaze, impressed M mark and incised and painted number/year codes, made circa 1930, height 32cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£1,500 - £2,000StatusUnsold View details 18 WILLIAM STAITE MURRAY (1881-1962); a tall stoneware bottle with fluted body and iron decoration to shoulder, impressed M mark and painted number/year code, made early 1930s, height 39cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£2,500 - £3,500Winning Bid£3,900StatusCLOSED View details 19 WILLIAM STAITE MURRAY (1881-1962); a stoneware baluster vase covered in chun glaze, impressed M mark and painted number/year code, made circa 1928, height 18.5cm. (D) Provenance: Luke Herrman collection. Auction has ended! Condition ReportShallow chip to footring and grinding of glaze runs to base, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£600 - £800StatusUnsold View details 20 MARGARET REY (1911-2010); a stoneware vase with simple iron decoration on mottled brown and sage green ground, impressed MR mark, made circa 1938, height 24cm. (D) Provenance: The artist, 1989. Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£450 - £550Winning Bid£400StatusCLOSED View details 21 MARGARET REY (1911-2010); a set of triangular stoneware exhibition numbers, made 1938, and an exhibition catalogue, Stoneware by Margaret Rey (The Brygos Gallery, London, 1938). (D) Provenance: The artist, 1989. PR Margaret made these numbers specifically for her large solo exhibition at the Brygos Gallery in 1938. The triangular shape is the same as her impressed seal mark. She gave them to me when I held a retrospective of her pots in 1989 based on her own collection. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£60 - £80Winning Bid£45StatusCLOSED View details 22 MARGARET REY (1911-2010); a large stoneware vase with iron decoration on mottled grey ground, impressed RM mark, made circa 1937, height 33cm. (D) Provenance: The artist, 1989. Exhibited: British Studio Ceramics, Buckinghamshire County Museum, Aylesbury, 2003. Literature: Illustrated in Christopher Frayling, Art and Design: 100 Years at the Royal College of Art (Collins & Brown, 1999), p. 170; Paul Rice, British Studio Ceramics (Crowood Press, 2002), p. 65. PR This was Margarets favo Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£2,000 - £4,000Winning Bid£2,850StatusCLOSED View details 23 SAM HAILE (1909-1948); '3 people assisting at the birth of Mandrake flowers', watercolour and ink, titled, signed and dated 1944, 54.5 x 37cm, framed and glazed, and a copy of the book Sam Haile: Potter and Painter by Paul Rice et al (Bellew Publishing, 1993) (2). Exhibited: Sam Haile, Birch & Conran Fine Art, London, 1987. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£2,000 - £3,000Winning Bid£1,600StatusCLOSED View details 24 SAM HAILE (1909-1948); a slipware jug partially covered in yellow glaze with incised and painted decoration, impressed mark, made 1945-47, height 19cm, and a copy of the book Sam Haile: Potter and Painter by Paul Rice et al (Bellew Publishing, 1993) (2). Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportChip to spout, otherwise appears good with no further signs of faults, damage or restorations. Estimate£2,000 - £2,500Winning Bid£2,300StatusCLOSED View details 25 ROBERT J WASHINGTON (1913-1997); a tall stoneware bottle covered in iron rich glaze and painted figurative decoration, made circa 1964, height 55cm. (D) PR Bob Washington was critical of the pot illustrated in my book because the figure of the woman was clear. His favourite pots were those where the decoration was almost fired out so you could only faintly see the form. He also preferred his pots where the weight was primarily at the bottom. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£1,000 - £1,500StatusUnsold View details 26 CONSTANCE DUNN; a small stoneware vase covered in white crackle glaze, impressed W mark, made 1930s, height 9cm. (D) PR Dunn produced some beautiful work. I met her granddaughter recently, who is also a potter. There is a family collection, so I am hoping one day to see an exhibition of this artists very rare work. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£80 - £120Winning Bid£150StatusCLOSED View details 27 PHILIP WADSWORTH (1910-1991); a waisted stoneware vase covered in white glaze with polychrome decoration, incised PSW mark and number/year codes, probably made 1950s, height 12.5cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. PR - Wadsworth was a student of Staite Murray and a contemporary of Sam Haile, Percy Brown and Henry Hammond at the RCA. He exhibited relatively little and consequently his work is less well know Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£120 - £180Winning Bid£100StatusCLOSED View details 28 PHILIP WADSWORTH (1910-1991); a large stoneware bottle with red and green copper floral decoration on mottled grey ground, incised PSW mark, probably made late 1930s, height 28.5cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£500 - £700Winning Bid£580StatusCLOSED View details 29 REGINALD MARLOW; a stoneware bottle with iron and copper floral decoration on mottled pale grey ground, impressed and incised RM marks, height 20cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£180 - £220StatusUnsold View details 30 URSULA MOMMENS (1908-2010); a stoneware bottle covered in tenmoku breaking to kaki glaze, impressed UD mark, made 1980/90s, height 16cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. PR Ursula asked much higher prices for her tenmoku pots than similar forms in other glazes. When I asked her why she said: because the ingredients are more expensive. I assumed it was a joke and that she simply thought tenmoku suited her Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£150 - £200Winning Bid£130StatusCLOSED View details 31 URSULA MOMMENS (1908-2010); a stoneware bowl covered in tenmoku breaking to kaki glaze, impressed UD mark, made 1980/90s, diameter 20cm. (D) Provenance: Ross Hill collection. Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£150 - £200Winning Bid£130StatusCLOSED View details 32 URSULA MOMMENS (1908-2010); a small stoneware bottle covered in tenmoku breaking to kaki glaze, impressed UD mark, height 17cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£120 - £180Winning Bid£100StatusCLOSED View details 33 URSULA MOMMENS (1908-2010); a stoneware bowl with striped decoration, impressed UD mark (partially glaze filled), diameter 15cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportShort firing crack to base, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£150 - £200Winning Bid£130StatusCLOSED View details 34 URSULA MOMMENS (1908-2010); a stoneware bowl with striped decoration, impressed UD mark, diameter 12cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£120 - £180Winning Bid£120StatusCLOSED View details 35 URSULA MOMMENS (1908-2010); a stoneware vase covered in tenmoku breaking to kaki glaze, impressed UD mark, made 1980/90s, height 12.5cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£120 - £180Winning Bid£100StatusCLOSED View details 36 URSULA MOMMENS (1908-2010); a stoneware footed bowl with cobalt decoration on mottled pale grey ground, impressed UD mark, made 1980/90s, diameter 17cm. (D) Provenance: Ross Hill collection. Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£200 - £250Winning Bid£180StatusCLOSED View details 37 HENRY HAMMOND (1914-1989); a stoneware bottle with iron floral decoration, impressed HH mark, made 1960s, height 16.5cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£300 - £400StatusUnsold View details 38 HENRY HAMMOND (1914-1989); a globular porcelain vase with iron leaf decoration, impressed HH mark, made 1960/70s, height 18cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£550 - £650Winning Bid£500StatusCLOSED View details 39 HENRY HAMMOND (1914-1989); a stoneware footed bowl with iron fish and floral decoration and circular design to well, impressed HH mark, made 1970s, diameter 20cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£500 - £700Winning Bid£460StatusCLOSED View details 40 HENRY HAMMOND (1914-1989); a large stoneware footed bowl with cobalt wave decoration to well, impressed HH mark, made 1980s, diameter 26.5cm. (D) Provenance: Liliana Epstein collection. PR Hokusais wave was one of Henrys favourite works of art and he used its form sometimes incredibly abstracted - on many of his later pots. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£500 - £700Winning Bid£620StatusCLOSED View details 41 HENRY HAMMOND (1914-1989); a stoneware bottle with iron widgeon decoration, impressed HH mark, made 1970s, height 22cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. PR Henry was adamant that his birds were widgeons. If you called one a pigeon or a dove he got quite peeved. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£800 - £1,200Winning Bid£760StatusCLOSED View details 42 HENRY HAMMOND (1914-1989); a stoneware yunomi with white dot decoration on blue/grey ground, impressed HH mark, made 1970s, height 9cm. (D) Provenance: Sue James collection. Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£120 - £180Winning Bid£230StatusCLOSED View details 43 PERCY BROWN (1911-1996); a stoneware vase partially covered in oatmeal glaze with unglazed bands, painted PB mark, made 1950/60s, height 21cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. PR Brown has been very overlooked but was one of William Staite Murrays most interesting students. His work is rare but I have been fortunate in finding quite a few pieces. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£120 - £180Winning Bid£110StatusCLOSED View details 44 PERCY BROWN (1911-1996); a large stoneware vase with cobalt decoration on oatmeal ground, incised PB mark, made 1950/60s, height 26cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£300 - £350StatusUnsold View details 45 PERCY BROWN (1911-1996); a large squat stoneware vase with cobalt decoration on green ground, incised PB mark and dated 1947, height 16.5cm. (D) Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£180 - £220Winning Bid£130StatusCLOSED View details 46 PERCY BROWN (1911-1996); a deep stoneware vase with iron decoration on mottled grey ground, incised PB mark, made late 1930s, height 18cm. (D) Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£180 - £220StatusUnsold View details 47 GWILYM THOMAS (1914-1995); a deep stoneware vase with slightly splayed foot, iron wash to interior and lower exterior, incised G mark and dated 1970, height 31cm. (D) Provenance: The artist. Exhibited: Gwilym Thomas: a retrospective exhibition, Glynn Vivian Art Gallery, Swansea, 1997; Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. Literature: Illustrated in Paul Rice, British Studio Ceramics (Crowood Press, 2002), p. 247. PR Gwilym Auction has ended! Condition ReportNick to rim, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£250 - £300Winning Bid£190StatusCLOSED View details 48 GWILYM THOMAS (1914-1995); a porcelain 'breast' pot on splayed foot, incised G mark and dated 1976, height 19cm. (D) Provenance: The artist. Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018. PR Thomass breast pots are especially rare. He made a few taller ones in stoneware and a very small number of these smaller porcelain ones. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org Estimate£300 - £350Winning Bid£280StatusCLOSED View details Items per page 122448 Previous|123456789|Next Previous 123456789 Next
