Antiques & Fine Art with Stamps & Ephemera

Lot 1668

HAROLD RILEY (born 1934); a pastel drawing, 'Oil Terminal in Trafford Park', signed and indistinctly dated to lower right, 30 x 17cm, framed and glazed. (D) The sketch was purchased by vendor's father in early 1960s after meeting him in his studios in Salford and we're told that the view was part of a project commissioned by the Oil Company for pictures to hang in the board room.

Lot 1669

HAROLD RILEY (born 1934); ink pen and pastel sketch, 'Oil Terminal in Trafford Park', signed and dated to lower right, 1967, 37.5 x 20cm, framed and glazed. (D) The sketch was purchased by vendor's father in early 1960s after meeting him in his studios in Salford and we're told that the view was part of a project commissioned by the Oil Company for pictures to hang in the board room.

Lot 1670

HAROLD RILEY (born 1934); pastel sketch, 'Back Street in Salford', signed and dated to lower right, 1964, 24 x 14cm, framed and glazed. (D) The sketch was purchased by vendor's father in early 1960s after meeting him in his studios in Salford and we're told that the view was part of a project commissioned by the Oil Company for pictures to hang in the board room.

Lot 1671

HAROLD RILEY (born 1934); pastel sketch, 'White Street', road with industrial landscape in background, inscribed 'R75' to lower left, 42 x 30cm, framed and glazed. (D) Bought at the Spring Exhibition at Manchester Gallery in late 1960s.

Lot 1672

HELEN MORTLEY (nйe Moss); gouache, study of two ducks, signed with initials, 27.5 x 32.5cm, framed and glazed. (D)

Lot 1673

HELEN MORTLEY (nйe Moss); watercolour and gouache, study of a rabbit amongst flowers, signed with initials, diameter 18cm, framed and glazed. (D)

Lot 1674

INGA KALLAGOVA; gouache, 'Lines and Moods #1', abstract composition, signed and dated to lower right, 2017, with descriptive label to verso, 31 x 47cm, framed and glazed. (D)

Lot 1675

INGA KALLAGOVA; gouache; 'Her Dreams', still life with flowers, signed to lower right, with a descriptive label to the back, dated 2017, 40 x 30cm, framed and glazed. (D)

Lot 1676

HIDEO ITO DREW; watercolour, floral sprays, signed and blind stamped, biographical details verso, 47 x 33cm, framed and glazed. (D)

Lot 1677

MARIANNE JONES; watercolour, a view of the Venetian lagoon with the Isola Di San Michele in background, signed lower right, 38 x 48cm, framed and glazed. (D)

Lot 1678

WILFRED CHAMBERS after GOETZE; a charcoal drawing heightened in white, 'Despised and Rejected of Men', a copy of the painting by Goetze, signed and inscribed 'Xmas 1917', 72 x 47.5cm, framed and glazed, sold with a black and white print of the original. (D)

Lot 1679

CARMEN AMBROZEVICH (Scottish); watercolour and acrylic on card, a rural scene, probably East Lothian, signed lower left, with descriptive label verso, 28 x 28cm, framed and glazed. (D)

Lot 1680

COLIN WARDEN (born 1944); pencil and watercolour, view of an Amsterdam building with cafe, signed to lower right, 56 x 36.5cm, framed and glazed. (D)

Lot 1681

HE HAMMETT; a crayon sketch, study of female nude, signed and dated to lower right, 1976, 55 x 33cm, a further example, 1981, 30 x 20cm and a pencil sketch of peregrine falcon, 1984, all framed and glazed (3). (D)

Lot 1682

JA HURLEY; ink and watercolour, country road with view of a village, with mountainous landscape in background, signed and marked with symbol of cat to lower right, 30 x 47.5cm, framed and glazed. (D)

Lot 1683

A group of four watercolours depicting Venice, two portrait-sized signed Biondetti, two landscape-sized signed Benvenuti, the portraits 29.5 x 17.5cm, the landscapes 16.5 x 31cm, all framed and glazed (4).

HAROLD RILEY (born 1934); pastel sketch, 'White Street', road with industrial landscape in background, inscribed 'R75' to lower left, 42 x 30cm, framed and glazed. (D) Bought at the Spring Exhibition at Manchester Gallery in late 1960s.

HELEN MORTLEY (nйe Moss); gouache, study of two ducks, signed with initials, 27.5 x 32.5cm, framed and glazed. (D)

HELEN MORTLEY (nйe Moss); watercolour and gouache, study of a rabbit amongst flowers, signed with initials, diameter 18cm, framed and glazed. (D)

INGA KALLAGOVA; gouache, 'Lines and Moods #1', abstract composition, signed and dated to lower right, 2017, with descriptive label to verso, 31 x 47cm, framed and glazed. (D)

INGA KALLAGOVA; gouache; 'Her Dreams', still life with flowers, signed to lower right, with a descriptive label to the back, dated 2017, 40 x 30cm, framed and glazed. (D)

HIDEO ITO DREW; watercolour, floral sprays, signed and blind stamped, biographical details verso, 47 x 33cm, framed and glazed. (D)

MARIANNE JONES; watercolour, a view of the Venetian lagoon with the Isola Di San Michele in background, signed lower right, 38 x 48cm, framed and glazed. (D)

WILFRED CHAMBERS after GOETZE; a charcoal drawing heightened in white, 'Despised and Rejected of Men', a copy of the painting by Goetze, signed and inscribed 'Xmas 1917', 72 x 47.5cm, framed and glazed, sold with a black and white print of the original. (D)

CARMEN AMBROZEVICH (Scottish); watercolour and acrylic on card, a rural scene, probably East Lothian, signed lower left, with descriptive label verso, 28 x 28cm, framed and glazed. (D)

COLIN WARDEN (born 1944); pencil and watercolour, view of an Amsterdam building with cafe, signed to lower right, 56 x 36.5cm, framed and glazed. (D)

HE HAMMETT; a crayon sketch, study of female nude, signed and dated to lower right, 1976, 55 x 33cm, a further example, 1981, 30 x 20cm and a pencil sketch of peregrine falcon, 1984, all framed and glazed (3). (D)

JA HURLEY; ink and watercolour, country road with view of a village, with mountainous landscape in background, signed and marked with symbol of cat to lower right, 30 x 47.5cm, framed and glazed. (D)

A group of four watercolours depicting Venice, two portrait-sized signed Biondetti, two landscape-sized signed Benvenuti, the portraits 29.5 x 17.5cm, the landscapes 16.5 x 31cm, all framed and glazed (4).