Antiques & Collectors’ Items with Toys (2% plus VAT for Website Bids)

Lot 463

A modern wall-hanging panel painted as a 19th century window frame with flowers, arched to the top and bottom, height 152cm.

Lot 464

Two chromolithographic prints, one depicting stag hunting in the clearing of the forest edge, the other hunting with dogs, each approx 25 x 47cm, in slip frame, framed and glazed (2).

Lot 465

After Nicolas Poussin; an 18th century engraving of a figural landscape with Mediteranean buildings by J Wood, published Jean Apton 1742, with legend to border 'In the collection of the Right Honourable The Earl of Cholmondeley' and a drypoint etching of Shakespeare's birthplace on Henley Street, Stratford-upon-Avon by George Heyes, signed in pencil lower-right, 17 x 30cm, framed and glazed (2).

Lot 466

After Friedrich Hiddeman; a modern lithographic print entitled 'The School Inspector', 57 x 74cm, framed and glazed.

Lot 467

Ward Van Der Velde (20/21st century); six monochrome dry point etchings for children's illustrations, subjects to include teddy bear in a pram, young girls in Edwardian frocks, two young girls picking mushrooms seated on a log, two of a young gentleman with a basket of apples standing on a pond jetty and one of a young child at prayer (after Sir Joshua Reynolds), 31.5 x 26cm, in cardboard slip mounts (6).

Lot 468

A pair of Geldart prints from a limited edition of 850, depicting characters from Kenneth Grahame's 'The Wind in the Willows', one being 'Ratty' and numbered 18/850, the other 'Toad', also numbered 18/850, each 28 x 20.5cm, framed and glazed (2).

Lot 469

A small early 20th century chromolithograph after Sir Edward Burne Jones depicting King Cophetua and beggar maid, a Harrington Bird drypoint etching of a horse race dated '97 within the print and signed in pencil to the border, a drypoint etching by Edna Arthur of the Bridge in Totnes, signed and titled to the border, also dated 1950 and a 19th century engraving after Overbeck of Madonna and Child with young John the Baptist and Agnus Dei, 58 x 42cm, framed and glazed (4).

Lot 470

Brendan Neiland; a limited edition print 'Givernay', signed, titled and no'd 18/120 to border, approx 62 x 49.5cm, framed and glazed.

Lot 471

AFTER ERIC BIBBY; drypoint etching of a church with tower and churchyard, signed to the border in pencil, 14.5 x 19.5cm, framed and glazed and four oval chromolithographs depicting scenes of rural and coastal domesticity, each 13.5 x 17cm, framed and glazed (5).

Lot 472

G C Hunt & Son; four horse racing engravings to include 'The First Fence', 'The Stone Wall', 'The Brook' and 'The Last Fence', each 22.5 x 39cm and a 'We Three Kings: Arkle, Red Rum and Dessert Orchid' print, 18 x 32cm, all framed and glazed (5).

Lot 473

Eleven hand-coloured book engravings featuring views of Liverpool, each approx 13 x 16cm, framed and glazed (11).

Lot 474

A collection of pictures and prints to include a signed Montague Dawson maritime nocturne print featuring sailing ships at harbour on a misty night, approx 60 x 75cm, framed and glazed, an ink abstract by Jan Burssens, a faded tapestry of a bucolic figural scene, presented in gilt frame, a Brian Stones abstract composition entitled 'Colour Transposition II' and dated 1965 and a geometric textured picture, unsigned and in white frame (5).

Lot 475

A collection of drypoint etchings and engravings including a canvas-backed 'Battle of Constantina', a 19th century engraving entitled 'La Parabola del Figliuolo Prodigo', a signed limited edition of Paddy's Market in Liverpool by Pat Cooke, a signed Samuel J M Brown print of a yacht on calm seas, a print of Ancient Italy after Turner, a print of 'Old Shaws Brow in 1852', a bird's-eye view of the island, harbours and fortifications of Cronstadt with key, a view outside St George's Hall engraving,

Lot 476

A folder containing a large quantity of 19th and early 20th century prints, engravings and mezzotints, many by well-known engravers to include religious scenes, Venetian scenes, famous artists etc.

Lot 477

A folder 'Great Masters 1400-1800' containing thirteen non-consecutive issues of 'Great Masters 1400-1800: Reproduction in Photogravure from the Finest Works of the Most Famous Painters Down to the Year 1800', with an introduction and descriptive text by Sir Martin Conway, published by W M Heinemann, London, Paris & Berlin and a large quantity of mainly 19th century prints and engravings of past masters, Classical scenes etc (2).

Lot 478

Two 17th century maps, one by Nicholas Sanson c1656 entitled 'Le Pérou et le Cours de la Riviere Amazone' with hand-coloured borders in greens and yellows and a Willem Janszoon Blaeu c1630 map of Perv (Peru) with hand-coloured land borders in greens and polychrome hand-coloured decorative cartouche to the top-left, 38 x 49cm, each in Hogarth frame and glazed (2).

Lot 479

A mid-18th century map of the Caribbean Islands entitled 'A New and Accurate Map of Terra Firma and the Caribbe Islands Drawn from the Most Approved Modern Maps and Charts' c1747 by Emmanuel Bowen, with hand-coloured land and sea borders and decorative cartouche to the top right-hand corner, 36 x 42.5cm, in Hogarth frame and glazed.

Lot 480

An 18th century map of Peru and two 19th century examples to include an 1818 John Pinkerton map of Peru with magnified cutaway of the coast by Bishop, an 1828 Sidney Hall map of Peru with land borders coloured in pink and yellow and a 1764 Jacques Nicolas Bellin map entitled 'Suite du Perou Audience de Charcas', hand-coloured in yellow border with pink land borders and polychrome hand-decorated cartouche to the lower-left, notation to the top corner border 'Tome II No 75', approx 23 x 31.5cm, al

Lot 481

A 19th century reverse-painted silhouette on glass with plaster backboard and presented in gilt wood frame, height overall approx 12.5cm.

A modern wall-hanging panel painted as a 19th century window frame with flowers, arched to the top and bottom, height 152cm.

Two chromolithographic prints, one depicting stag hunting in the clearing of the forest edge, the other hunting with dogs, each approx 25 x 47cm, in slip frame, framed and glazed (2).

After Friedrich Hiddeman; a modern lithographic print entitled 'The School Inspector', 57 x 74cm, framed and glazed.

A pair of Geldart prints from a limited edition of 850, depicting characters from Kenneth Grahame's 'The Wind in the Willows', one being 'Ratty' and numbered 18/850, the other 'Toad', also numbered 18/850, each 28 x 20.5cm, framed and glazed (2).

Brendan Neiland; a limited edition print 'Givernay', signed, titled and no'd 18/120 to border, approx 62 x 49.5cm, framed and glazed.

AFTER ERIC BIBBY; drypoint etching of a church with tower and churchyard, signed to the border in pencil, 14.5 x 19.5cm, framed and glazed and four oval chromolithographs depicting scenes of rural and coastal domesticity, each 13.5 x 17cm, framed and glazed (5).

G C Hunt & Son; four horse racing engravings to include 'The First Fence', 'The Stone Wall', 'The Brook' and 'The Last Fence', each 22.5 x 39cm and a 'We Three Kings: Arkle, Red Rum and Dessert Orchid' print, 18 x 32cm, all framed and glazed (5).

Eleven hand-coloured book engravings featuring views of Liverpool, each approx 13 x 16cm, framed and glazed (11).

A folder containing a large quantity of 19th and early 20th century prints, engravings and mezzotints, many by well-known engravers to include religious scenes, Venetian scenes, famous artists etc.

A 19th century reverse-painted silhouette on glass with plaster backboard and presented in gilt wood frame, height overall approx 12.5cm.