The British Ceramics Biennial: Studio Ceramics and Modern Design October 10, 2019 Advanced Search ▼ Items per page 122448 Advanced Search Sort by DefaultTime LeftLot#Lot NameNewestHighest PriceLowest PriceBidsViews Filter By Categories British Ceramics Biennial Category match ANY of the aboveALL of the above Featured Exclude closed lots Price Auctioneer All auctioneersLiverpooltest Lot Number Results: Viewing items 49-77 of 77. View Image Lot # Item Title Time Left Your Bids 49 REBECCA APPLEBY (born 1979); A Fractured Harmony II, earthenware covered in black pigment with incised geometric decoration, height 43cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,600 - £1,800StatusUnsold View details 50 REBECCA APPLEBY (born 1979); Co-ordinate Plane III, earthenware with L shaped opening and perforated grid pattern covered in white pigment, ceramic chalk and pencil decoration, height 54cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,600 - £1,800Winning Bid£1,400StatusCLOSED View details 51 JESSICA HARRISON (born 1982); Happy Anniversary HN4606 (2015), bone china, height 20.5cm. Hand made in coloured bone china clay, the Bone China Figures (2015) series is based on existing mass-produced, slip cast bone china figurines made by companies including Royal Doulton and Coalport, a particularly English type of ceramic ware. From a distance the hand-made figures recall the silhouette of the popular domestic mantelpiece ornament, however in closer proximity become increasingly grotesque Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,400 - £1,800StatusUnsold View details 52 JESSICA HARRISON (born 1982); Georgina HN4237 (2015), bone china, height 22cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,400 - £1,800StatusUnsold View details 53 JESSICA HARRISON (born 1982); ROYAL DOULTON FIGURINE ELAINE HN 3307 EXCELLENT CONDITION (2015), found ceramic and glaze, height 19cm. The Found Figurines (2015) and (2017) series are re-workings of mass-produced decorative figurines that have been sourced by the artist from the online auction site eBay. Harrison radically reshapes these objects through a process of re-glazing and re-firing, sometimes using up to 10 layers of glaze and 4 firings on a single object. Acting almost as test tiles f Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,400 - £1,800StatusUnsold View details 54 JESSICA HARRISON (born 1982); COALPORT FIGURE A PASSION FOR DANCE BOLERO LIMITED EDITION (2017), found ceramic and glaze, height 23cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,400 - £1,800StatusUnsold View details 55 JESSICA HARRISON (born 1982); Royal Doulton Figurine "Lorraine" HN 4301 (2017), found ceramic and glaze, height 21.5cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,400 - £1,800StatusUnsold View details 56 JESSICA HARRISON (born 1982); Coalport Figurine - True Love - Limited Edition (2017), found ceramic and glaze, height 22.5cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,400 - £1,800StatusUnsold View details 57 JOHN RAINEY (born 1985); The Fall of a Connection (2014), Parian porcelain, length 39cm. Raineys work explores themes of technology, artifice and the human figure. Using a combination of physical and digital methods, including ceramic casting and 3D printing technologies, his sculptural process moves between the virtual and material worlds. Through this faceted approach to production, Raineys sculptures probe the development of human representation within digital environments, often referenc Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,500 - £2,000StatusUnsold View details 58 JOHN RAINEY (born 1985); Flay II (2/3) (2019), Parian porcelain, height 47cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,000 - £1,500StatusUnsold View details 59 JOHN RAINEY (born 1985); Variants (Addendum) (2017), Parian porcelain, height 63cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£2,200 - £2,800StatusUnsold View details 60 IRINA RAZUMOVSKAYA (born 1990); Archaeology Vessel (2018), porcelain, stoneware, glazes and oxides, height 15.5cm. Philosophical reflections on archaeology and ageing of ceramics, the inevitability of matter deterioration, the analytical observation of architectural structures as opposed to synthetic views of landscapes, and the antithesis between control/self-control and freedom of expression are the basis for Razumovskayas artistic research. A fascination for uncommon beauty, and for the une Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£600 - £800StatusUnsold View details 61 IRINA RAZUMOVSKAYA (born 1990); Cube (2017), porcelain, stoneware, glazes and oxides, height 30.5cm. Provenance: Cluj International Ceramic Competition, Slovenia: First Prize Exceptional Talent Young Artist (2017). Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,000 - £1,500StatusUnsold View details 62 IRINA RAZUMOVSKAYA (born 1990); Post-surface Vessel (2018), porcelain, stoneware, glazes and oxides, height 16.5cm. Provenance: Made during a bursary award residency at the Bruckner Foundation for Contemporary Ceramic Arts, Geneva. Exhibited: First Prize Carter Preston Prize, Bluecoat Display Centre, Liverpool (2018). Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£650 - £850StatusUnsold View details 63 IRINA RAZUMOVSKAYA (born 1990); Pre-surface Vessel (2018), porcelain, stoneware, glazes and oxides, height 17cm. Provenance: Made during a bursary award residency at the Bruckner Foundation for Contemporary Ceramic Arts, Geneva. Exhibited: First Prize Carter Preston Prize, Bluecoat Display Centre, Liverpool (2018). Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£650 - £850StatusUnsold View details 64 IRINA RAZUMOVSKAYA (born 1990); Soul House (2018), porcelain, stoneware, glazes and oxides, length 47cm. Exhibited: Inner Geometry, Officine Saffi Gallery, Milan (solo) (2018). Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,200 - £1,600StatusUnsold View details 65 CAROLINE TATTERSALL; Keyhouse (2019), cast porcelain held together with transparent glaze mounted on wooden board, height 27cm. Tattersall's practice explores clay in its two opposing states: the plastic, tactile and uncommitted state of unfired clay and the hard, permanent, committed state of fired clay. She creates works that embody a sensitivity to material, the processes that effect it and the role of time. From engineering an erosion of material through a determined drip, to exploring an a Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£700 - £1,000StatusUnsold View details 66 CAROLINE TATTERSALL; a stack of six saucers and six side plates, cast porcelain with distressed edges, maximum diameter 17cm. (D) Part of an installation entitled The Aftermath (2009). The aftermath, that which happens after an event, is often determined by the stillness of an environment. There is the permanent (the fired ceramic object) and there is the vulnerable (the unfired clay object). It is through the revealing and juxtaposition of these two states of the material that Tattersall creat Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk Estimate£300 - £400StatusUnsold View details 67 HANNAH TOUNSEND; Set of 6 Print Beakers (2019), white earthenware with slip and underglaze decoration, height 10.5cm (6). Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£500 - £700Winning Bid£540StatusCLOSED View details 68 HANNAH TOUNSEND; Large Print Vessel (2019), white earthenware with slip and underglaze decoration, height 42.5cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£800 - £1,200Winning Bid£700StatusCLOSED View details 69 HANNAH TOUNSEND; The Harbour Walls, a canvas diptych, each constructed from a one-off digital print repeatedly overworked with thin washes of acrylic paint, charcoal and pastels, framed size of each canvas 87 x 66.5cm (2). Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,800 - £2,200StatusUnsold View details 70 KEITH HARRISON; Knowledge is Power: 6 Towns (2017), watercolour and pencil on graph paper, 58 x 83cm, framed and glazed. This drawing was the last of the series developed as part of a BCB Commission Knowledge is Power: 6 Towns supported by Arts Council England and Stoke-on-Trent Libraries. As the final drawing to be completed, it was intended as the key to the work combining the Dewey Library classification system and the electrical resistance colour code to categorise the 6 Towns Collection. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£800 - £1,200StatusUnsold View details 71 MATT SMITH; Wunderkammer II 18, Large Egg (2017), white Parian porcelain, height 21cm (right hand side of image). These egg sculptures formed part of Smiths Wunderkammer II/Cabinet of Curiosities body of work. Exhibited: Cynthia Corbett Gallery, London. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£700 - £1,000StatusUnsold View details 72 MATT SMITH; Wunderkammer II 19, Small Egg (2017), white Parian porcelain, height 17cm (left hand side of image). Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£500 - £700StatusUnsold View details 73 PETER JONES; Bucket of Bricks (Erosion), height 32cm. The site-specific installation Erosion was originally made of unfired hand made bricks that slowly eroded until they collapsed. The bricks have now been fired and reconfigured. Exhibited: Erosion was first shown at BCB (2013). Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£180 - £220Winning Bid£160StatusCLOSED View details 74 PETER JONES; Test Tableau, 62 x 41cm. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£280 - £320StatusUnsold View details 75 SAM LUCAS; Tippy-Toe (2019), coloured porcelain, vulcan clay, high fired terracotta and textile, height 76cm. Tippy-toe explores the weight and awkwardness of being in the body and describes how displacement is not only geographical but can be within ones own skin, but with a dark twist in humour. The form is possibly whistling as it tip-toes off into the distance. It was the first piece made for a larger body of work for BCB AWARD (2019) called Same Same but Different. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£450 - £650StatusUnsold View details 76 ZOE PREECE; An Archive of Longings V (2018), 33 dripping spoons, made of cast porcelain and flux, on a walnut shelf, 105.5 x 21cm. Preeces current practice takes the domestic realm as the site of its enquiry. She makes intimate but nameless still lives that speak of the ordinary and the human. Through focused attention on everyday domestic objects and ordinary scenes, her work endeavours to engage with the intangible, disquieting and emotive aspects of life through material processes and form. Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£1,650 - £1,850StatusUnsold View details 77 ZOE PREECE; Longing I (2018), a mug, cup, dish and spoons, made of cast porcelain and flux, on a walnut base, 40 x 20cm. The Longing series is made up of collections of domestic forms a cup, dish, saucepan or spoon displayed in arrangements similar to those one might find on a kitchen surface. All evidence of the life and histories of these porcelain objects has been removed, leaving white silhouetted forms resonant with a longing to be touched. Whilst the arrangements are disordered and c Auction has ended! Condition ReportAppears good with no obvious signs of faults, damage or restoration. Estimate£420 - £480Winning Bid£380StatusCLOSED View details Items per page 122448 Previous|12|Next Previous 12 Next
